The Birdsong backlash begins…

January 24, 2012 at 11:33 pm | Posted in books, History, love, relationships, Uncategorized | 1 Comment
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It was inevitable, really.  Most critics have praised the BBC’s Birdsong production, so one grumpy old man journalist had to fight popular opinion, didn’t he?  It’s like Harry Potter and the Twilight Saga: many people will hate them simply because so many people love them.

So what, exactly, was David Aaronovitch’s problem with the production? Well, for starters, there were too many posh people, apparently.  Let’s not forget that ‘Other classes took leading roles in the First World War’.  Except no one’s forgetting, David: what about the character of Firebrace? Not exactly a toff, is he?

His second issue is with the fact that there are lots of ‘lingering glances’ and ‘slowly melting eyes’ before the love affair between Stephen and Isabelle begins.  What’s the matter, David? Do you need the actors to enunciate what they’re feeling every five minutes?  Can’t you decipher what is being implied? Poor David.  You’ve obviously not seen Lost In Translation.

He also questions whether Wraysford ‘would […] really be thinking of his Grand Meaulnes time with the heroine before final curtain down’. Do any of us really know what we’re going to be thinking just before we bite the bullet? I’d like to think I’ll be thinking of the people I’ve loved, and – stop reading now if you’re a prude – I may even recall a time I slept with one of them.  Sex is a massive part of life, David: deal with it.

I also disagree with his argument that casting directors are only scouting for pretty boys now.  Redmayne is a really talented actor who can convey more meaning in a glance than many can in a soliloquy.

Finally, ‘if I were a woman enjoying passive oral congress’ with Eddie Redmayne, I’d be grinning like a lush in a winebar. Face facts, Mr Aaronovitch: you’re wrong about this Birdsong.

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